I’ve always been clear on my dislike of the “main character 0 hp = game over” system, but I was surprised to find that I didn’t mind it in this game. I think I know why. In most of these games, the main character is not that much more powerful (sometimes not at all) than the other characters, so the “0 hp = game over” just puts a huge disadvantage on him for no benefit. In the worst examples I’ve seen of this the main character is hard to use at all because of the danger of the game over.

However, in this game the main character has a very important advantage over the others: he can call in a reinforcement character if one of your initial characters dies. The character you call in is placed at the head of the turn order and can act immediately. So protecting the main character has some purpose beyond just avoiding the game over. I still think maybe it would have been better if you just lose the reinforcement ability if the MC dies, but I didn’t really mind it the way it is; it also adds strategic weight because you are only ever allowed 5-6 characters at most on the field at once, so it can be an important decision whether to use the MC’s reinforcement ability or heal himself.

To say more about the abilities, there are four types of weapon and four types of magic. The spear has long range and also a number of attacks that hit multiple people. All the other ones have various kinds of status effect abilities in addition to the basic damage. Sword has probably the best raw attack, the multi-hit moves. I found that my favorite weapons were the sword and bow.

The magic has healing, one that has buff/damage moves, and one that focuses on manipulating the terrain. The terrain manipulation is a big part of the game; many attacks will also cause terrain sinking in addition to their damage, and there are a lot of moves that can raise or lower the area. Some maps require you to do this to reach enemies who are up in towers, but other times it just makes it easier to move around or to get height on the enemies.

You can use the peach items to give anyone any skill you want, although you would not get enough peach items to customize every character. I didn’t really bother with this and just used the peaches to raise the skill caps for the skills the characters already had.

I found the progression through the game fairly smooth. You want to keep your guys relatively equal in levels because of the reinforcement system, but also there are a couple of places in the game where you have to split your team into multiple groups or use specific characters. Make sure you always have a save in a place where you can access the Daoist caves, that lets you buy items and train levels.

I apparently didn’t get any pictures, but my least favorite levels are the ones that involve these stones you have to defeat to pass. They can hit strong range attacks, and often the terrain is quite annoying. The worst part of the game is this stretch of 13 maps where you have to use one character at a time (if one dies you can bring out the next one) to progress. It’s not excessively difficult, just a bit tedious.

The storyline is relatively basic — once you get to Zhou and get them to join up in your attempt to fight Shang, the rest of the game is just travelling back to Shang and fighting various demons and enemies along the way. Once you reach Shang you defeat all of Daji’s underlings and then face Daji herself.

First she appears with the king, but once you beat the king she retreats and then you have to fight her true Youma form.

She’s pretty easy, but then you have to move to the true final battle, against one of those chaos demons that will destroy the world figures. The rough part about this is that once you get into the final chaos battle you can no longer bring in reinforcements so you’re stuck with whatever party you had when you beat Korisei.

He is fast, and uses attacks that hit everyone on the board and cause status effects. He killed most of my party but I managed to defeat him with only 2 characters left, both near death. I may have had more success if I stopped trying to level everyone earlier than I did, but in the end I was able to finish it.

Zhou then takes power and Taikobo goes off to train by himself (pursued by some potential love interests).

Overall this was an enjoyable game. The characters are varied and interesting to use, and it’s fun to play around with all the potential abilities. The large team is usable because of the reinforcement system, but would offer replayability as well because you can try to emphasize different people or different types of abilities. It’s not perfect — I wish there weren’t so much emphasis on the hidden items on the map, and there are maybe a few too many filler maps. But on the whole this is one of the stronger games of 1998.

Houshin Engi (封神演義), released 9/10/1998, developed and published by Koei

Houshin Engi is the Japanese title of the 16th century Chinese novel usually translated as Investiture of the Gods. It’s very loosely based on the fall of the Shang dynasty and the rise of the Zhou, but has a lot of mythical and fantastical elements and many of the characters are fictional. There was a popular manga based on the story running in Shonen Jump from 1996-2000, and I feel like it was not a coincidence that Koei chose to bring out this game during the time. This game is not based on the manga — I cannot find enough detailed information on the novel’s plot to know for sure, but my impression is that this game is also a very loose adaptation of the novel and is mostly an original story.

The game came out in 1998 and then there was a second version (“aizouban”) released in 1999 with minor improvements; I played that version instead.

The basic setup is the same as the novel — the last King of Shang has been bewitched by his concubine Daji. Daji was already known in historical records as the evil, sadistic woman who had caused the downfall of the Shang dynasty, and after that was thought to have been an evil fox spirit. In the novel, Daji is killed and replaced with a fox spirit that then uses magic to control the King, and this is how the game works as well.

The main hero character is Taikobou, a name for Jiang Ziya. He is also a historical figure who assisted in the defeat of Shang, but in legend (and later in the novel) he becomes a Daoist apprentice of a Kunlun mountain master. In the game, the master sends Taikobou to Earth to investigate a disturbance, which turns out to be Daji’s enchantments.

The characters in the game are a mix of historical figures and characters from the novel, and it’s possible there are characters original to the game as well (I don’t have enough information to track down each character and find out).

The game is divided into five chapters and a total of 53 maps. I believe that you play all 53 in order with no alternate paths. Between most maps you can access a “camp” where you can do the usual equip/save/etc, but you can also visit the Daoist retreats. This allows you to do training battles for XP, but also to challenge the various Daoist masters in 1-on-1 combat to win items. I haven’t managed to beat any of these yet.

Each chapter starts with a small voiced sequence (it’s not actually animated, it’s still pictures). Some of the dialogue has voicing. One welcome feature is the furigana on the Chinese words and names:

They appear every time the name/word is used, which is helpful in remembering the unusual words.

I only played the first 16 stages this week, so I’m not making very fast progress. The first battle of chapter 3 (stage 17) requires you to split your party across two battles and use most of the characters, and I need to do a bit of training before I can handle the battles. The story so far is still more or less in the early stages. Taikobo finds out that Daji is a fox spirit bewitching the king, and gets thrown in prison. There he meets Kouhiko, who was once a follower of the king, but his wife was killed by Daji’s machinations. After escaping, Taikobo and Kouhiko head to the Zhou lands to seek help in fighting against Shang. Most of the stages so far are just gathering various allies who have their own grudges against Shang, and being opposed by a number of underlings of Daji, particularly the three women who serve under Daji. Meanwhile Daji is being commanded herself by Tongtian Jiaozhu, a brother of Taikobo’s master.

One of the chief antagonists is Bunchu (Wen Zhong) who is one of those classic “honorable warrior who is fighting for the wrong side”; at the moment he has been tricked into thinking that Taikobo is leading an effort by the Daoists to overthrow Shang so they can rule instead.

By the end of chapter 2, we’ve reached Zhou and are trying to get them to join us, but first we have to take care of some other enemies they are fighting.

The battle system has a smattering of typical features from different games. There is height and facing. Turns are speed based. There’s elemental compatibility (in the above screenshot it’s wood vs fire, if one has a specific advantage the element will glow).

You get a lot of characters and it might seem annoying at first because you’ll have 18 but will only send out 4 or 5 on a battle. However, if one of them dies, Taikobo can bring in another one from your stock. (If Taikobo dies it’s game over).

Each character gains normal experience, and also experience in weapon and magic levels. Each character has a maximum in each, with a * indicating max level. You earn peaches after each stage that you can use to increase people’s maximums (or even let them use a new ability they can’t use). Each level will grant a new power in that type of weapon or element.

There are also special powers that are individual to some characters, and also these magic shell items that can be used with particular weapons to do additional powers as well. So there’s a lot of variability with each character, and they do change noticeably as they level, which is something I always appreciate in a game.

I’ll stop there for this week — I’m not even sure I will finish this game by next Saturday but we’ll see. I’ll write more about the abilities and characters next week.

Black/Matrix AD (ブラックマトリクス AD), released 9/30/1999, developed by Flight Plan, published by NEC Interchannel

I’ve known about Flight Plan for a long time because of their Summon Night series, which I really like. I had heard of Black/Matrix but never actually played any of the games until now. The series has essentially four games — Black/Matrix (with two ports), Black/Matrix 2 (for PS2), Black/Matrix Zero (for GBA) and the semi-remake Black/Matrix 00 (for PS1).

The original game first came out for Saturn in 1998, then had two ports: AD for the Dreamcast in 1999, and Cross for the Playstation in 2000. From what I read, it seems like AD is regarded as the best version with the exception of some criticism of the graphical changes, so I decided to play that one. I’m using the Flycast emulator which is working well (it runs more efficiently than the Saturn emulator).

The setting is based on a mix of Christian and Jewish elements (including extra-Biblical things like Lilith as the first wife of Adam), although it takes place in essentially a fantasy world. The opening narration tells you that in the past, the world was ruled by the Evil God called “God”, but Mephistopheles defeated God in the name of the Good God “Satan”. The followers of God, who have white wings, were made eternal slaves of the followers of Satan, who have black wings. The world is run by the church devoted to Satan, who stamps out the Seven Deadly Sins: Love, Freedom, Justice, Righteousness, Weakness, and Equality.

The first thing you do is choose your main character’s “master”. There are five choices, although it’s kind of odd because the master only shows up in the first chapter and then at the end of the game. In the original Saturn version the other 4 didn’t appear at all, but in the Dreamcast version they added the ability to get the others in your party. I chose Domina (which the cursor starts out on).

Chapter 1 is different from the rest of the game. Domina has apparently nursed the main character Abel back to health, but in the meantime has fallen in love with him. The enslaved white winged people are generally not allowed to wear clothes or walk around without a neck collar/chain.

What you do in the beginning is walk around Domina’s house and do various tasks that increase Abel’s stats. You can make this go on for quite a while if you want. You have a certain number of AP each day and can do things like cook, read books, plow the field, and such. I’m not entirely sure what the purpose of this is, or how long it can go on, but you can end this part by going to town. There, people react badly to Abel having clothes and being without his master, and later, inquisitors come to take Domina away for being in love with Abel, and Abel gets taken to jail as well. The SRPG proper starts with chapter 2.

In the cell, you get to try out the battle system against Lebrobes. There are two features that I recognize from Summon Night — you can set each person’s reaction style (evade, counter, block) whenever you want on your turn. Also the levelling is all done after the battle; you get XP as a lump sum that you spend to level up characters. I vastly prefer this to the system where you have to spread your kills around to make sure everyone is levelling evenly.

Each turn you have two “action points”. Most actions take 1 AP and you can’t repeat the same action twice. Using an item takes 0 but can only be done once. The “blood refill” command takes 2 AP. You can take the actions any order you want, and you can move one character, then cast a spell with another, then do an attack with the first character, etc.

The magic system works off the “biorhythm” graph at the top right. Each action advances the counter one bar. A green bar is increased effectiveness and a blue bar is reduced. When you use a spell of a particular type it changes the gauge to that type; each type has its own progression. So when you use spells you want to wait until the biorhythm is favorable.

When an enemy is reduced to 0 hp, they are dead, but any heal spell or item will bring them back. An additional hit on a dead character will reduce them to bones, preventing this (if this happens to your guys, they are permanently dead unless they are a core story character).

The fact that the dead character comes back still able to move and act creates an annoying balance issue with enemy healers, especially later in the game. The main healing spell in the game has a very wide area. It can be pretty easy for the enemies to revive multiple units and get them all back to full HP on their turn, so often you need to make sure you are eradicating the enemies and not just killing them.

When you defeat enemies you get “blood points”, and sometimes you get more blood points for eradicating them (but not always). These blood points are used in two ways. First, you can give them to characters before the battle starts, and they are used to cast spells and use special abilities of weapons. Any remaining blood points are carried over so there’s typically no reason to not just max everyone’s BP out. During battle you can use “blood refill” as a 2 AP action to use blood points you’ve earned so far in that battle to supplement what you have.

The other use for blood points is to use “ritual” to awaken abilities of weapons. This is a cryptic part of the system (apparently the series as a whole is known for this kind of thing). You spend blood points to awaken three abilities on each item. But what the abilities actually do is obscure, and some of them are negative. But apparently if you do things right (in the right order?) you can unlock hidden abilities and such. I never figured out how to do this; there’s no explanation in the game or the instruction manual. From what I saw in videos you can get game-breakingly powerful weapons through this, but by the end of the game I hadn’t even found half of the available abilities.

There is also height and facing in the system. The clock below the biorhythm chart is a bit unclear to me as well; some items work better at certain times but I don’t know if there is more to the clock system than that.

Finally, as your characters get these “armor” items, you can start using the armor power — I never really figured out how to use this well. The abilities have odd areas of effect and require a large amount of power (they take the turns of multiple characters plus a huge amount of BP). I think that if you really have a good handle on the area of effect you could use them to do huge amounts of damage but I hardly used them at all because it wasn’t worth spending so much BP and AP just to hit a few people.

Overall the gameflow is straight through the 12 chapters. There are a few places where there are alternate battles within a chapter, and you can skip one or two battles, but there aren’t any huge story branches. The original Saturn version had only one ending, but the Dreamcast offered multiple endings (I’m not sure how many — there are two possible final battles as well as a bad “game over” ending but there are multiple ways to reach each of the final battles and I don’t know if that results in more than two endings.)

One change in the graphics is that the original Saturn version had the story scenes take place on the 3D maps, whereas the Dreamcast remake has the style you see in the screenshot above. The character designs were also completely redone by a different artist, which resulted in some disappointment. There are also a number of brief video clips.

The game starts out quite hard, as you have few characters, and no opportunity to shop or do any side levelling. Eventually I found out that you can always use a shop before a battle to at least buy basic healing items, even when it makes no sense in the story. As far as the side levelling, in towns you can find a hooded guy that will give you a free battle, but it’s not really worth it. You barely even get half the XP necessary to level one character, so you would have to spend a lot of time grinding to have even a minor effect.

The game becomes easier when you get more people and get into the game, but it gets much harder again near the end. The enemy forces have a lot more healers in them and come in larger bunches. Also in the last few battles you lose your primary healer and you get stuck with pre-set parties. I was close to quitting on the third to last battle, but I found out that I could beat the game by exploiting poor AI to pick the enemies off one by one.

The storyline tends to be pretty dark. Abel sets out to save Domina, but first they have to find out where she is. As he travels through the land, he goes to various towns that exemplify the “virtues” like gluttony and greed, while picking up various companions. The goal becomes for the characters to find suits of armor that are connected to the seven “evil” angels (Michael, Raphael, Gabriel, etc.) To put these armor suits on the people have to rip their wings off and then the armor will fuse with them, but this will eventually result in their deaths.

The storyline is a bit of a mess; a lot of the information is revealed in info dumps near the end and involves all kinds of Biblical and mythological characters: Lilith, Adam and Eve, Moses, Noah, Jepetah (Noah’s daughter), Metatron, and other people.

Eventually we find Domina crucified, and it turns out that somehow the main character is both the reincarnated of Mephisto and Metatron, and the Pope (who is actually Jepetah as well as other stuff too) tells the main character that the world will soon be destroyed. He has a few options for dealing with it — the main ones are that he can sacrifice everyone else, save Domina, and he and Domina can birth a new populace to people the world. Another is that he can give up Domina in order to save the world as it is now, which includes the slavery of the white winged people. I’m not sure which of these endings was the only one offered in the Saturn version, but I think it was the second one. (There’s also kind of a bad/joke ending that results if you say you want to give up Domina and go off by yourself to find a peaceful place to live).

I decided to go with the first option because it seemed like the final battle was easier. You have to fight your own companions but they only attack you one at a time so you can easily pick them off.

The ending is really abrupt; a flood destroys the world and then you see this scene and it tells you that Domina became the new Eve, but she doesn’t look like she’s completely in her right mind. Then the credits roll and that’s it.

One other aspect of the game are the battle ranks — in each stage you get a rank based on a number of things. The main ones are the number of turns and actions you took, but there are some other things like not using magic in bad biorhythm phases, and a few other things of that nature. The rank affects the item rewards you get after the battle. This reminds me a bit of the “brave clear” system they put in later Summon Night games. One thing I do wonder about this game is whether you could funnel all the XP into the main character and clear the game easily.

Overall the game is OK. I think the story is a bit too ambitious; it feels like a lot of times all the biblical stuff is kind of thrown in there without a lot of coherency, and the ending is way too abrupt. I checked out a video of the original Saturn ending. The entire closing sequence was rewritten for the Dreamcast version, but the Saturn ending has the world being entirely destroyed except for the main character (who reverts to an adolescent) and the main “master” you chose, and the suggestion is that they are going to be the new Adam and Eve to populate the world again. So that’s kind of similar to the Dreamcast ending I got.

The system is not the worst I’ve seen, but the lack of transparency in the weapon system is annoying, and some of the stages seem unfair. But the game is playable and has some good ideas in it. I’ll be interested to see how it develops for Black Matrix 2 (for the PS2).

Wachenröder (バッケンローダー), released 8/6/1998, developed by TNS, published by Sega

Game 100! This is the second to last Saturn game I will be playing. It takes place in a steampunk like world, an island that has been cut off from the rest of the world by some kind of mist that keeps people in.

The game begins with a very dark backstory for the main character (Lucian); he’s born in a slum in one of the six districts of the island, where there is a heavy water treatment plant that fills the area with pollution and magnesium. His little sister is one of many who suffer from a wasting disease that prevents them from being able to go out into the light. Eventually he decides to enter some kind of tournament to earn money for her medicine, but while he’s out registering for it, she dies. He vows vengeance on Sword Master Duran, the leader of the area. The game then switches to 4 years later, when he is wandering around aimlessly.

Lucian soon meets Carol, a woman who is also looking for Duran — but Duran is soon overthrown and forced to flee for treason, which brings a bounty hunter into the party as well who is looking to get the money for Duran. The plot proceeds from here, involving the mysterious “forest dwellers” who seem to have unusual technology, the six “sword masters” who rule the areas, and the secret of a disaster that sunk a nearby island.

The story is fairly good, and has voiced dialogue for a good part of it. It’s a bit short and the ending is cursory but overall it’s entertaining. There are a lot of names in the game that are taken from real stuff, like Titus Groan (the hero of the Gormenghast books), Fatboy Slim, and Franky Zappa.

The story is partly narrated by Verbet, a blind woman who also appears as a character in the game, and partly just regular story sequences.

The game is the usual player/enemy turn. Each character begins with 99 action points, that can be used to move, attack, and use special moves. Any AP left over can be converted to “cool down”, which is important for the overall attack system.

It doesn’t look like I got a screenshot of it, but all the weapons are these chainsaw-style motor weapons. You can choose a power between 1-5 for each attack, or use a special attack, or a super-special attack. These all add heat to your weapon, which you have to cool down — weapons will cool down automatically between turns based on the temperature and weather, but you can also redirect leftover AP to cooling down. If your weapon gets too hot, you will overheat and will not be able to act for a few turns.

A lot of stages also have switches that you need to manipulate to raise and lower barriers, open gates, and such.

Some characters have guns or bows that can make ranged attacks, but most are just “sword” attacks.

The system is interesting and fun to play with, but the game is extremely easy — one of the easiest SRPGs I’ve played. You usually only have to take on a few enemies at a time, and you can defeat them with powerful attacks and then cool down before fighting the next ones. There are only a couple of stages that require any thought beyond just basic move-attack, including the final stage which is slightly tricky (but still not that hard.)

You never upgrade your weapons in any way but you can equip three items to each character. The item equip is a bit confusing because you have multiple slots (head/arm/foot/etc) but it’s not always clear why certain items can only go in certain slots. There are shops before some of the stages.

Overall I would say this game is OK. The world is interesting and the atmosphere of the game is appropriately grim and grey, while still offering some interesting things outside of the typical “ruined city” cyberpunk situation. The story is serviceable and has some nice parts, but it’s too short and the ending is rushed (I wonder if they had to accelerate the development because the Saturn was in its waning period). The system has some good ideas but the game is so easy that it feels like you don’t often have to get particularly in-depth — in particular, the potentially interesting question of having to trade off attack power vs. heat often makes no difference because you can use powerful attacks and then just have other characters fight while you cool down. About halfway through the game you start getting the Sword Masters in your party, and they are far more powerful than your other characters.

In a way this is similar to some other late-system games I’ve played (like Energy Breaker) that seem to have been a bit rushed because they wanted to get the game out before the system was no longer viable…although I don’t know if that was the case here.

Go-jin Senki (鋼仁戦記), released 8/6/1998, developed by Santa Entertainment, published by Tonkin House

After suffering through Light Fantasy I and II, I was not happy to see Tonkin House’s name pop up with this game. While this game is nowhere near as bad as those, it’s still not a particularly good game and I didn’t finish it in the end. However, there is a translation patch so you are free to try it for yourself.

The setting is Kunagami, a world that is basically medieval Japan but with mechs called Goujin that are controlled by human spirits. The story begins with the king of Himuka, Raioura, attacking the Kuchina tribe’s village and slaughtering most of the inhabitants. One of them, Isamaru, is taken to a prison but is freed by Lakan, one of Raioura’s underlings who has defected to stop Raioura from his plan to take over the world. The story ends up involving not only Raioura, but evil demons and another member of the Kuchina tribe.

The story is told through a combination of VN-style narration and normal speech text boxes. The story is the best part of the game — while it’s not a masterpiece of RPG narrative, it’s interesting enough that I had some interest in how the plot would turn out in the end.

The game flow is a series of fixed battles with no alternate paths. You can retreat from most battles (keeping your XP and money), and you can do practice battles on any battlefield you’ve cleared so far, if you need to grind. The party limit is six, and you get a lot more characters than that. At first I was trying to use all of them but eventually I just focused on a small party.

The graphics in the battle are weird — they are polygon 3D figures on a normal 2D map. It doesn’t look that good and it slows everything down a lot.

Each character has a certain number of AP. Abilities take AP — in theory the attacks that take more AP are more powerful, but the system seemed poorly implemented because you can have a 16 AP attack that only does 10% more damage than a 4 AP attack (sometimes there are extra effects also, but the effects aren’t always good, like knocking a character back).

Characters recover AP between turns, but not very much — 1 at the start, but as you level you can recover a bit more.

A huge problem with the system is an inability to take back your movement after you do it. In general, the UI is plagued with issues — for instance, you often can’t check what abilities do, and you can’t see characters’ statuses in the screen where you are choosing who to send to battle.

Characters come in three types. “Generals” have two equip slots, one for a weapon and one for a magatama that gives a magic attack (or heal). Then there are fighters and spellcasters, that just have one slot. In general I found that the fighters were nearly worthless; I used all my generals and then spellcasters (one attack, one heal), and then filled the sixth slot with a fighter.

That leaves the Go-jin. You start with one, and get two more as you progress. A lot of effort was put into this part of the system — each mech has five equipment slots, and you can buy and equip a variety of weapons. Characters have specific skills that let them get extra effects out of the weapons (such as being able to attack everyone adjacent, or firing multiple shots). However, there are two aspects of the system that completely hamstring the gojin and make them essentially unusable in many stages.

The first issue is that people in Gojin don’t gain experience. Instead, any experience gained by the gojin is distributed equally to other characters. This means you have to constantly be switching around your characters (and the weapons).

But the much bigger problem is the “berserk” issue. Each map has a certain “power density” that adds each turn to your gojin’s counter. When that counter reaches 100, the gojin goes berserk and can no longer be controlled. I saw the enemies use things that (slightly) lowered their gojin’s counter but I never saw this. The main issue here is that so many of the battles are very long, with tons of reinforcements, that any gojin you send out are guaranteed to go berserk. I just stopped using them because of this, and I noticed that someone who did a complete playthrough on youtube did the same thing.

Another big issue with the game is that you can’t save during battle, and it’s pretty easy for the enemies to overwhelm you (they take a lot of hits to bring down and nobody can tank). I used save states, but even then I found the game tedious.

Eventually I got to a point about 70% of the way through the game where I was saddled with an NPC operating on bugged AI (she would only move next to the enemies and not take any actions), which took up a slot and left me with only 5 guys. I hit yet another stage with waves upon waves of reinforcements, and I finally decided that I was no longer interested in struggling through the slow battles and flawed system to see how things turned out. I probably should have given up a lot earlier but I tried to stick it out.

Next up is game #100! It’s Wachenroder, the second-to-last Saturn game for me to play.

Zanma Chou-ougi Valhollian (斬魔超奥義ヴァルハリアン), released 8/6/1998), developed by Datt Japan, published by Kamata & Partners

I will be playing 3 more Saturn SRPGs (there are a few more for the Saturn but I will be playing them in other versions). When I was checking out information about this game I saw that it was only 16 stages so I expected it to be a quick play, but each stage takes several hours so it was longer than I thought. Surprisingly this game has a translation patch, making it one of the few 1998 games that can be played in English (it’s also the first Saturn game I’ve encountered that is too expensive on ebay for me to buy it right away). Frequent and longtime commenter cccmar is listed in the translation patch credits as a “major tester”.

The story is pretty light. Not only is it only 16 stages but each stage only has a bit of dialogue before and after the stage. It’s a serviceable story and has some twists, but I don’t think it would make you play just to see how the story turns out. I wanted to say a little about the story but I didn’t make any notes and I can’t find any description of the story online..it has typical elements of “beat the evil enemy” and some surprised betrayals and reveals.

The basic gameplay is standard player turn-enemy turn. You can move, attack, and use special moves (the “ougi” of the title).

Each character has a certain amount of SP that rises as they level (I think 5 is the max). You learn several regular ougi (costing either 1 or 2 SP) and one “super” ougi that is basically a boss killer move. Most of the characters will learn this around level 20-23, with the four magic users at level 25.

For equipment, you have a weapon, armor, and three accessory slots. There are treasure chests in the stages, and between maps you can buy equipment from a merchant that travels with you.

The main distinctive feature of the game are the combo attacks. You can have two characters participate in a single attack. As they do this, their “combo level” will rise, making their combos more effective in certain ways.

Each stage is quite long; the maps are large and you are typically presented with 30-40 enemies (sometimes a bit more). There is a basic strategy that works on most stages — enemies will mostly stay put unless you either enter their range, or reach some point on the map. Once you see enemies move towards you, you can just wait out of their range and try to draw them into a narrow area, and then take them down. The enemies tend to be pretty powerful in general, and you can’t rely on anyone to tank. Characters with high speed can often dodge the enemy attacks which is useful in drawing the enemies in without dying.

The only way to recover HP is with the ougis — most characters have a heal move, and two characters have area heals. In the beginning stages you usually have to use most of your SP for heals, but once you can rely on Tea and Rilfy to heal, you can spend more SP on the area effect attacks which help a lot. The super ougis are mostly for boss killing.

If the main character reaches 0 hp it’s game over (UGH), if anyone else goes to 0 they will have to sit out the next map unless you use a revive skill (which brings them back with 0 SP). Generally you do not want this to happen since you need your whole force to make the maps go smoothly.

You can save any time, so often you have to retry turns several times until you can get everyone in the right position so that no one dies.

There are a few maps where this basic strategy doesn’t work:

• Stage 3 begins with new characters on their own in the middle of enemies so you have to rush up to save them; it’s hard to do this without anyone dying but with repeated attempts it is possible.
• Stages 7 and 9 have summoning circles that Dark Cardinals can move onto and summon enemies. Stage 7 is particularly rough in this regard, you have to go quickly and face a lot of enemies to get there early enough (Rilfy’s teleport magic helps). Stage 9 is more forgiving; you need to get to the first one quickly but the Dark Cardinals by the other two won’t start moving until you get closer to them. I believe that the circles do run out of enemies eventually, but not until they summon 40 or so (on top of the 40 starting units).
• Stage 10 you don’t have Rilfy so you need to be more careful with your heals.
• Stage 13 seems hard at first with the separated parties, but it’s something of an illusion — the boss and his entourage begin moving towards you at the start of the stage, but stops after a few turns. So you can turtle up near the castle with the starting party (I also lost a mage on the other side and revived her with the MC for an additional unit)
• Stage 14 – I think they may have made a design mistake here; you can get in the boss’ range near the starting point so you can take the boss down with a few super ougis and not have to deal with the majority of the stage — a welcome relief this late in the game.

Parts of the game seem underdeveloped to me. There are only 16 different enemies (not including bosses), and I think these are all palette swaps of 4 basic types. The same bgm is used for all the stages except the final one.

I have a feeling that most people are going to find this game too slow-moving and unrewarding. It’s far from the worst game I’ve played, but it does require a lot of patience (or just queue up a ton of podcasts).